26, 27 and 28th of june 2026

Ecosystemic festival of arts, music, and ephemeral architecture

Rizomes is a festival born once a year in the heart of a poplar plantation in La Cellera de Ter, Girona. An ephemeral cultural space in search of old and new ways of doing, where play and collective experimentation take center stage.

web_1_2071_-253.jpg
web_2_2071_-205_laura-dominguez.jpg
2071_-208_2.jpg
web_3_2071_-90.jpg
web_3_2071_-172.jpg
2071_-140_laura-dominguez.jpg
web_4_2071_-150.jpg
web_6_2071_-156.jpg
web_9_2071_-158_laura-dominguez.jpg
web_8_2071_-285.jpg
web_9_2071_-266.jpg
web_10_2071_-241.jpg
2071_-89_laura-dominguez.jpg
2071_-67.jpg

Line up

web-programacio-provisional_3.png

More information coming soon.

Meanwhile, you can keep updated on our social media, or visit our archive to find artists from previous years.

Tree farm

The festival is just a brief phase of an ecosystem that lives all year round: 15,000 trees, configured in a 5 x 5 meter grid, in constant growth and mutation.

Every year, 315 adult poplars are cut down for timber production. These give way to 315 newborn poplars, which will grow and live rooted in the plantation for more than two decades. This cycle of renewal, of life and death, is an integral fact of Rizomes. Everything is movement, and movement is an opportunity for the renewal of creative avenues.

Using the limitations and possibilities of this peculiar spatial configuration, the festival reinvents itself with each new cycle. The fluctuating grid invites us to adapt each year, to collectively find renewed solutions for the design and distribution of the festival facilities, in line with agricultural activity.

forest_image2.png

Art & Spaces

Rizomes is a creative platform for musicians, designers, architects, visual artists, and creators of all kinds.

Year after year we create a rhizomatic network of interrelated installations, with the grid of trees as the initial game board. Each edition of the festival is the result of co-creation between different artists, designers, musicians and architects.

We foster artistic production through REG, an annual call for artistic and architectural installations developed in residency at the plantation. Simultaneously, we conduct Circular Labs: a series of ephemeral architecture workshops where the festival's infrastructure is built. All the resulting works become part of Rizomes' artistic ecosystem.

dsc3140_2.jpg
dsc3232.jpg
dsc3207.jpg
dsc3349.jpg
dsc2052.jpg
dsc2379.jpg
dsc1795.jpg
dsc5008.jpg
dsc4656.jpg
dsc6443.jpg
dsc2690-2.jpg
dsc2825.jpg
dsc6337.jpg
dsc2658.jpg
dsc4449.jpg
dsc4377.jpg

Sustainability

Festivals should be defined as a harmonious balance between human free expression, cultural promotion, and environmental protection.

Our main challenge is to integrate into the forest and leave no trace behind. Every year, we reduce our ecological footprint to achieve zero impact.

Environmental sustainability goes hand in hand with economic sustainability. We measure sustainability from four perspectives: conditioning the space to reduce electrical consumption, a conscious management of potable and non-potable water, the use of recycled, donated, or reused materials for building infrastructuresm and a maximum reduction of waste through the creation of compost.

ovejas-2.png

Archive

Rizomes

Ecosystemic festival of arts,
music and architecture in the forest

hola@rizomes.com

Bosc de Can Ribes
La Cellera de Ter
Girona, España

St. Frances

stfrances-1.png

St.Frances is the musical project of multidisciplinary artist Frances Ribes Renshaw. After years of exploring different sounds and formats, with bands like Smell, singing with Martin Creed, or being part of Infanta, she now presents her debut album "there is room for everything": a collection of 12 songs written over 5 years, exploring a multitude of emotional and sonic landscapes, which she self-defines as grunge-pop.

She sees her music as an invitation to inhabit emotionally charged melodies, with generous voices and lyrics supported by grunge guitars and experimental pop sounds. The intention is to bring vulnerability to the forefront and offer the listener a sense of belonging in an immersive, embodied, and accessible space.

To achieve this, she presents a live show with a three-piece band that, with guitars, synths, drum machines, and vocals, aims to emphasize instrumental and vocal arrangements, offering a unique, intimate, and experimental approach to her music and album.