26, 27 and 28th of june 2026

Ecosystemic festival of arts, music, and ephemeral architecture

Rizomes is a festival born once a year in the heart of a poplar plantation in La Cellera de Ter, Girona. An ephemeral cultural space in search of old and new ways of doing, where play and collective experimentation take center stage.

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Line up

Tree farm

The festival is just a brief phase of an ecosystem that lives all year round: 15,000 trees, configured in a 5 x 5 meter grid, in constant growth and mutation.

Every year, 315 adult poplars are cut down for timber production. These give way to 315 newborn poplars, which will grow and live rooted in the plantation for more than two decades. This cycle of renewal, of life and death, is an integral fact of Rizomes. Everything is movement, and movement is an opportunity for the renewal of creative avenues.

Using the limitations and possibilities of this peculiar spatial configuration, the festival reinvents itself with each new cycle. The fluctuating grid invites us to adapt each year, to collectively find renewed solutions for the design and distribution of the festival facilities, in line with agricultural activity.

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Art

Rizomes is a creative platform for musicians, designers, architects, visual artists, and creators of all kinds.

We promote artistic production through REG, an annual open call for artistic and architectural installations developed through a residency at the plantation. Year after year, we create a rhizomatic network of interrelated artistic installations, using the grid of trees as the initial game board.

The call aims to promote creation in Can Ribes' poplar plantation, taking advantage of its transformation into a cultural space of influx. The selected projects receive both economic and technical support, and are showcased during the festival.

+ info soon

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Architecture

Every summer the forest becomes a laboratory for experimentation in design and ephemeral architecture.

The CIRCULAR workshops become for an entire week a meeting point between tradition and contemporaneity, where dozens of participants blend into a workshop and learn to build and create as a community in fields such as carpentry, lighting, construction with bamboo and tension systems, or the alchemy of fire, earth, and water.

+ info soon

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Sustainability

Festivals should be defined as a harmonious balance between human free expression, cultural promotion, and environmental consciousness.

Our main challenge is to integrate into the forest and leave no trace behind. Every year, we reduce our ecological footprint to achieve zero impact.

Environmental sustainability goes hand in hand with economic sustainability. We measure sustainability from four perspectives: conditioning the space to reduce electrical consumption, a conscious management of potable and non-potable water, the use of recycled, donated, or reused materials for building infrastructuresm and a maximum reduction of waste through the creation of compost.

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Archive

Rizomes

Ecosystemic festival of arts,
music and architecture in the forest

hola@rizomes.com

Bosc de Can Ribes
La Cellera de Ter
Girona, España

Phran

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Barcelona-based, Venezuelan producer and DJ, exploring the intersections between techno, electro and acid with obscure tropical rhythms. He currently runs his own label, Vimana, and alongside NAP co runs the ACA label. He has released a series of EPs on Klasse Wrecks, and is 1⁄2 of Dos Ritmos with Klasse label boss Luca Lozano. He also has releases on labels such as Best Effort, Paralaxe Editions, Pelvis, Hivern Discs, Rhythm Control, and Silvox Recordings, among others.

Fueled by his passion for the Venezuelan underground scene, he co-produced a zine for Klasse Wrecks titled “Logos of the Venezuelan Minitecas”. The Zine delves into the history and visual imagery of Venezuelan mobile sound systems, known as Minitecas. This path led him to present a new live set at Sonar Festival 2023 called “Vimana Discplay”, an AV show offering a modern interpretation of the Venezuelan Miniteca Experience.

Years before adopting the Phran alias, he produced as Pacheko, releasing bass-heavy music with a Venezuelan twist on labels such as Enchufada, Senseless Records, Shockout, and Lo Dubs, among others. Back in the day, with the Abstractor crew, he contributed to the production of a documentary called “Quien Quiere Tuki?” exploring the Caracas Raptor House and Changa Tuki scenes.

His productions have been played by DJs such as Nick León, DJ Florentino, Lechuga Zafiro, Leon Vynehall, John Talabot, Batu and Tiga, among others.

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